How ‘The Idiot(s)’ Directors Finally Made Their Unconventional Dostoevsky Biopic

2026 Telluride Film Festival Preview: 17 Must-See Movies To Watch

BFI London Film Fest Sets 10 Competition Titles, Including Hirokazu Kore-eda, Carol Morley Films

Toronto film festival adds 11 titles including ‘The Liberation’ starring Carrie Coon, ‘The Idiot(s)’ with Aimee Lou Wood

Kathryn Newton, Storm Reid, Dove Cameron, J. Smith-Cameron And Owen Painter To Star In ‘Hot Year’ From Director Roxy Sophie Sorkin

‘The Idiot(s),’ Starring Aimee Lou Wood, Johnny Flynn, Releases First Look Image

Vicky Krieps, Christian Friedel Join ‘The Idiots’

‘The Disappearance Of Josef Mengele’ review: Kirill Serebrennikov’s drama tracks post-War life of the SS ‘Angel of Death’

Kirill Serebrennikov on Cannes Premiere ‘The Disappearance of Josef Mengele,’ a Portrait of Fugitive Nazi Doctor

Kirill Serebrennikov Sets Cast for French-Language Feature ‘Après,’ With Ludivine Sagnier, Louis Garrel, Vincent Macaigne

Malgorzata Szumowska and Michal Englert’s ‘The Idiots,’ Starring Aimee Lou Wood and Johnny Flynn, Boarded by the Match Factory

Kornél Mundruczó’s ‘The Revolution According to Kamo,’ About Joseph Stalin’s Origin Story, Boarded by MK2 Films

‘The Light’ Producers Gold Rush Pictures Ink Slate Deal With Hype Studios

‘Pieces of a Woman’ Director Kornél Mundruczó to Helm Epic Drama About Early Life of Joseph Stalin, With ‘Limonov,’ ‘Santosh’ Producers

Ben Whishaw on ‘Taking the Leap’ to Play Russian Radical Eduard Limonov

‘Limonov: The Ballad’ Review: Ben Whishaw Electrifies as an Outlaw Poet in Kirill Serebrennikov’s Punk Rock Epic

Kirill Serebrennikov on Directing Ben Whishaw as a Russian Punk Poet ‘Who Wanted to Start a War Against the Entire World’

Ben Whishaw on Giving the Riskiest Performance of His Career in Limonov. The Ballad

‘Limonov: The Ballad’: First Look At Ben Whishaw In Kirill Serebrennikov’s Cannes Competition Title

Andrey Zvyagintsev, Oscar-Nominated ‘Loveless’ Director, to Helm ‘Jupiter’ for Anonymous Content

Kirill Serebrennikov to Make TV Directing Debut With Erotic, Subversive ‘Phantom of the Opera’ Mini-Series for Pathe, Hype Studios

Kinology Boards Kirill Serebrennikov’s Next Film ‘The Disappearance of Josef Mengele’

Aimee Lou Wood, Matt Dillon to Headline Malgorzata Szumowska’s ‘The Gambler Wife’

Totem Films Boards Berlinale Chechen Drama ‘The Cage is Looking for a Bird’

Fugitive Nazi Doctor Josef Mengele to Be Played by German Star August Diehl in Kirill Serebrennikov’s ‘The Disappearance’

How To Succeed With Transatlantic Production? “Don’t Ever Give Up” — Zurich Summit

Neon’s Boutique Label Super Buys Margaret Qualley-Christopher Abbott Dominatrix Thriller ‘Sanctuary’ Following TIFF Debut

‘Petrov’s Flu’ Producer Ilya Stewart Launches Europe-Based Production Outfit Hype Studios

Kino Lorber acquires Cannes Directors’ Fortnight opener ‘Scarlet’

The Russian Filmmaker Trapped Between Hollywood and Moscow

‘Sanctuary’ First Look: Margaret Qualley Is a Sinister Dominatrix in Slinky TIFF-Selected Thriller

‘Tchaikovsky’s Wife’ Producer on Russia’s Future in Film: Distribution Taking ‘Biggest Blow’

Ben Whishaw to Play Russian Dissident Eduard Limonov in New Film From Kirill Serebrennikov

Russian Director Kirill Serebrennikov Talks ‘Limonov, the Ballad of Eddie’ With Ben Whishaw